Duration: 1 hour
Players: Jacob (yellow), Mauro (black), Ilyse (green)
Note of interest: Because we knew that more players would be arriving within the hour, we decided to play a trial game in order to familiarize Ilyse with the rules of the game.
Duration: 1 hour
Players: Jacob (yellow), Mauro (black), Ilyse (green)
Note of interest: Because we knew that more players would be arriving within the hour, we decided to play a trial game in order to familiarize Ilyse with the rules of the game.
Reported suicides of LGBTIQ youth this week: none.
Duration: 3 hours
Players: Sarah (blue), Mauro (black), Jacob (yellow), Dalia (late entry: green)
Reported suicides of LGBTIQ youth these weeks: none.
Beginning Saturday, Oct 15, as part of a project tentatively titled war/games, I will be playing chess, once a day, for 30 days. If you live in the Bay Area and would like to play, please contact me.
Tomorrow I am giving a presentation – a brief presentation – on a project that I imagine will preoccupy me for the rest of the semester, maybe the rest of the (school) year. Or, I suppose, it may occupy me for the rest of the year and some of the spring of next year. It is absurd to me that, beginning in September, my concept of what a year is changed drastically.
I am going to blog about it because writing about it isn’t helping. Blogging is helpful because the internet exists outside of my mind, whereas I am less than sure that TextEdit exists outside of my mind. In any case, there is a difference, at least in terms of a release of tension, between writing for oneself and writing for an (assumed) audience. Something about getting an idea out there, which in this case just means out of my head.
I am sitting at the kitchen table, next to a set-up board of chess. Also on the table is a cookbook, a book called Subtitles: On the Foreigness of Film; the novel Diary of a Bad Year by J.M. Coetzee, which I am going to bring in as an example tomorrow; the book GO for Beginners by Kaoru Iwamoto, as well as a pamphlet entitled “The Way to Go,” sandwiched in between these two books; Zen Mind, Beginner’s Mind: Informal talks on Zen meditation and practice, by Shunryu Suzuki, in which I found tonight a postcard with the book’s titles in calligraphy as drawn by Suzuki. I put it on the fridge.
On Saturday, I will begin playing chess, once a day, for 30 days. On November 15th, I will begin playing go, once a day, for 30 days.
Last night was the first iteration of Risk, a twice-monthly game of Risk held at overca$h. The day after each game, I will be posting a brief rundown of the night’s event(s).
Click through for the synopsis from Game 1, October 4.
I’ve recently – not that recently – begun classes at the California College of the Arts, on my way, hopefully, to an MFA through the Social Practice Workshop. As part of my studies, I’ve been asked/required to undertake a “fieldwork” project. This is problematic for me because I have a deep suspicion/wariness of the artist as researcher/savior model, where an artist goes to a town, undertakes an investigation, etc, and shows everybody the light of the Truth. I think I am, for the most part, unaware of myself, but I am certainly aware that I do not know what the Truth is. In fact, I’m not positive I care.
So I decided to pursue a few paths that seemed either entertaining or interesting or both: volunteer at a homeless queer youth center, something I’ve been wanting to do, something I’d love to be able to make work about without exploiting homeless queer youth, and so on; learn how to play chess and go, and generally delve into war or war-related games; and make some calls regarding the recent blockage of Palestinian children’s art at the Museum of Children’s Art in Oakland. With all of these projects, I was relatively unsure of what I was doing. I still am relatively unsure of what I’m doing, but at least today somebody called me back.
Reported suicides of LGBTIQ youth this week: none.
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